Encompassing video, film and photography, visual artist Basir Mahmood's practice contemplates embedded social and historical terrains of the ordinary alongside his personal milieu.

Working primarily with video but also with installation, photography and performance, Taus Makhacheva questions the unstable boundary between similarity and difference, acceptance and rejection, and draws attention to efforts to merge, mimic, assimilate or leak into what is other.

Working with video, photography 
and installation, Cinthia Marcelle choreographs interventions that often transform mundane or redundant gestures into poetic displays of exchange.

Hassan Massoudy learned classical Arabic calligraphy in Baghdad, Iraq, having moved there in 1961.

Informed by his education and work as a medical doctor as well as the social, religious and historical contexts of Saudi Arabia, Ahmed Mater’s practice explores the narratives of Islamic culture in an era of globalisation, consumerism and flux.

Cesar Meneghetti earned a degree in Visual Communication from the School of Fine Arts at the Armando Álvares Penteado Foundation.

In film, photography and installation, Amina Menia considers issues of public space, the cityscape and urban policies.

Haroon Mirza’s work attempts to isolate the perceptual distinctions between noise, sound and music.

Magdi Mostafa’s practice focuses primarily on site-specific, research-driven installation and performance projects, multimedia installations and experimental ‘sound-based’ works.