Organised in conjunction with the Sharjah Biennial 14 exhibition Making New Time, the final day of March Meeting 2019 asks the question, ‘What does it mean to create dangerously?’, an allusion to the title of a 1957 lecture given by Albert Camus. This gathering presents an assembly of thoughts and forms that examine how one produces art when one is constantly perceived as an immigrant wherever she or he roams or lives. How can those in exile create practices that build community, and even more so, a discourse around art? How can they enable new forms of agency that exist against the historical prejudices wrought upon the lives of artists with marginalised identities and associations? How can a propositional space for the future be ‘imagined’?