Overview

Speakers

MM 2021 speakers and participants include Tarek Abou El Fetouh (curator); Mona Al Khaja (artist); Hisham Al Madhloum (Chairman, Sharjah Arts Collection); Noora Al Mualla (Director of Learning and Research, Sharjah Art Foundation); Hoor Al Qasimi (President and Director, Sharjah Art Foundation); John Akomfrah (artist, filmmaker); Yousif Aydabi (Cultural Advisor, Sheikh Dr Sultan Al Qasimi Centre); Sammy Baloji (visual artist and Co-founder of the Lubumbashi Biennale); Ute Meta Bauer (Founding Director, NTU Centre for Contemporary Art Singapore and Professor, School of Art, Design and Media, NTU); Zarina Bhimji (artist); Carolyn Christov-Bakargiev (Director, Castello di Rivoli Museum of Contemporary Art - Cerruti Collection); Lucrezia Cippitelli (scholar, curator); Iftikhar Dadi (Associate Professor, History of Art and Director, South Asia Program, Cornell University); Catherine David (Deputy Director, National Museum of Modern Art, Centre Pompidou); Omar Dewachi (Associate Professor of Anthropology, Rutgers University); Manthia Diawara (Professor, NYU, and filmmaker); Bongiwe Dhlomo–Mautloa (artist, curator); Anita Dube (artist, curator); Ehab Ellaban (Director, Center of Arts, Cairo); Reem Fadda (Director, Abu Dhabi Cultural Foundation); Coco Fusco (artist, writer and Professor, Cooper Union School of Art); Elizabeth Giorgis (Associate Professor, University of Addis Ababa); Thembinkosi Goniwe (Assistant Professor of Art History, Rhodes University); Hou Hanru (Artistic Director, MAXXI); Yuko Hasegawa (Artistic director, Museum of Contemporary Art Tokyo and Professor, Tokyo University of the Arts); Salah M. Hassan (Director, The Africa Institute, Sharjah and Goldwin Smith Professor, Cornell University); Ryan Inouye (Senior Curator, Sharjah Art Foundation); Eungie Joo (Curator of Contemporary Art, San Francisco Museum of Art); Geeta Kapur (art critic, curator); Mohammed Kazem (artist); Omar Kholeif (Director of Collections and Senior Curator, Sharjah Art Foundation); Adrian Lahoud (Dean, School of Architecture, Royal College of Art, London, Co-chair, Rights of Future Generations Working Group and curator, first Sharjah Architecture Triennial); Peter Lewis (curator); Arshiya Lokhandwala (art historian, curator and Founder, Lakeeren Art Gallery); Margarita Gonzalez Lorente (Vice Director, 13th edition of Havana Biennial and Curator, International Contemporary Art, National Museum of Fine Arts, Havana); Amina Menia (artist); Gabi Ngcobo (curator, educator); Otobong Nkanga (artist); Chika Okeke-Agulu (Professor and Director of Graduate Studies, Department of Art & Archaeology, Princeton University); Jack Persekian (Director, Al Ma'mal Foundation); Qudsia Rahim (Executive Director, Lahore Biennale Foundation and Director, Lahore Biennale); Uzma Z. Rizvi (Associate Professor of Anthropology and Urban Studies); Enrique Rivera (Director, Biennial of Media Arts of Santiago); Alex Dika Saggerman (Assistant Professor, Rutgers University) Nada Shabout (Professor, Art History and Coordinator, Contemporary Arab and Muslim Cultural Studies Initiative, University of North Texas); Sadia Shirazi (Cornell University and Whitney Independent Study Program); Suha Shoman (Founder and Chair, Darat Al Funun, The Khalid Shoman Foundation); Aisha Stoby (curator, researcher); Alia Swastika (curator); Rayyane Tabet (artist); John Tain (Head of Research, Asia Art Archive); Ming Tiampo (Professor, Art History, Institute for Comparative Studies in Literature, Art and Culture, Carleton University and Co-Director, Centre for Transnational Cultural Analysis); Christine Tohmé (Founding Director, Ashkal Alwan); Françoise Vergès (author, public educator, decolonial feminist); Andrea Wallace (Senior Lecturer in Law, University of Exeter); Octavio Zaya (Executive Director, Cuban Art Foundation); and Tirdad Zolghadr (Associate Curator, KW Institute for Contemporary Art and Artistic Director, Sommerakademie Paul Klee).

Overview

Shoman, Suha

Shoman, Suha

Artist

Suha Shoman’s painting and video installations explore issues of identity and memory through the filter of personal and collective experiences.