Overview

Western museums and collectors have historically asserted their roles as custodians of art and artefacts pillaged and looted during European and North American colonial occupations and interventions in the Global South. Arguments such as lack of ‘specific provenance’, poor condition of storage, lack of proper conservation, climate control, security systems and lack of proper spaces for display in countries of origin, have been persistently used as excuses for the refusal of return of such artefacts. Since the 1970s, the debate over restitution and repatriation of looted artefacts have been raging with some very limited progress in recent years. This panel considers persisting questions and recent developments in the scholarship, museological practices and policy making, with regards to the restitutions and repatriation of cultural heritage of the former colonised.

Related Content

March Meeting 2022: Restitution and Repatriation of Looted Artworks and Artefacts

Ngaire Blankenberg

Ngaire Blankenberg is the director of the Smithsonian’s National Museum of African Art (2021–present).

March Meeting 2022: Restitution and Repatriation of Looted Artworks and Artefacts

Hassan, Salah M.

Art historian, critic and curator Salah M. Hassan is Director of The Africa Institute, Sharjah, and Distinguished Professor of Arts and Sciences in Africana Studies and the Department of History of Art and Visual Studies, Cornell University.