Sand Drawings: 1-4

Sand Drawings: 1-4

Lala Rukh

Lala Rukh’s art practice is intertwined with her lifelong commitments to teaching, activism and the classical music of South Asia, which span the past fifty years.

Execution Squares (No. 19)

Execution Squares (No. 19)

Hrair Sarkissian

Hrair Sarkissian uses the techniques of documentary photography to comment on complex social and political realities and to question the ways in which photography as a medium determines how images of these realities are read.

Execution Squares (No. 18)

Execution Squares (No. 18)

Hrair Sarkissian

Hrair Sarkissian uses the techniques of documentary photography to comment on complex social and political realities and to question the ways in which photography as a medium determines how images of these realities are read.

Execution Squares (No. 17)

Execution Squares (No. 17)

Hrair Sarkissian

Hrair Sarkissian uses the techniques of documentary photography to comment on complex social and political realities and to question the ways in which photography as a medium determines how images of these realities are read.

Execution Squares (No. 2)

Execution Squares (No. 2)

Hrair Sarkissian

Hrair Sarkissian uses the techniques of documentary photography to comment on complex social and political realities and to question the ways in which photography as a medium determines how images of these realities are read.

Power Station

Power Station

Simryn Gill

The Power Station series records the interiors of two neighbour buildings, a power station and a residence.

La Vigie

La Vigie

Jean-Luc Moulène

In 2004, Jean-Luc Moulène notices a stalk of Paulownia growing through a crack in the asphalt in Paris, next to the Ministry of Economy, Finance and Industry building, which spans nos 121 to 135 rue de Bercy.

A Typology of Houses

A Typology of Houses

Hala Al-Ani

A Typology of Houses is a descriptive record of culture made manifest in the building vernacular of residential housing in Dubai.

Haunted House II

Haunted House II

Zineb Sedira

In Haunted House, empty French colonial houses and dilapidated ruins appear to emerge out of the cliffs where they once stood overlooking the sea.

Framing the View IV

Framing the View IV

Zineb Sedira

In Framing the View, empty French colonial houses and dilapidated ruins appear to emerge out of the cliffs where they once stood overlooking the sea.

Framing the View V

Framing the View V

Zineb Sedira

In Framing the View, empty French colonial houses and dilapidated ruins appear to emerge out of the cliffs where they once stood overlooking the sea.

Framing the View II

Framing the View II

Zineb Sedira

In Framing the View, empty French colonial houses and dilapidated ruins appear to emerge out of the cliffs where they once stood overlooking the sea.

Framing the View

Framing the View

Zineb Sedira

In Framing the View, empty French colonial houses and dilapidated ruins appear to emerge out of the cliffs where they once stood overlooking the sea.

Execution Squares (No. 20)

Execution Squares (No. 20)

Hrair Sarkissian

Hrair Sarkissian uses the techniques of documentary photography to comment on complex social and political realities and to question the ways in which photography as a medium determines how images of these realities are read.

Execution Squares (No. 16)

Execution Squares (No. 16)

Hrair Sarkissian

Hrair Sarkissian uses the techniques of documentary photography to comment on complex social and political realities and to question the ways in which photography as a medium determines how images of these realities are read.

Execution Squares (No. 15)

Execution Squares (No. 15)

Hrair Sarkissian

Hrair Sarkissian uses the techniques of documentary photography to comment on complex social and political realities and to question the ways in which photography as a medium determines how images of these realities are read.

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