Quinn Latimer is a poet and critic from California whose work often explores the feminist economies of writing, reading and image production. Her books include Like a Woman: Essays, Readings, Poems (Sternberg Press, 2017); Stories, Myths, Ironies, and Other Songs: Conceived, Directed, Edited, and Produced by M. Auder, co-edited with Adam Szymczyk (Sternberg Press, 2014); Sarah Lucas: Describe This Distance (Mousse Publishing, 2013); Film as a Form of Writing: Quinn Latimer Talks to Akram Zaatari (WIELS/Motto Books, 2013); and Rumored Animals (Dream Horse Press, 2012).

Her writings, readings and video collaborations have been featured in exhibitions such as Live from the West (with Pedro Barateiro), REDCAT, Los Angeles; 6-4-2 (with Paolo Thorsen-Nagel), LiveInYourHead, Geneva; Der Leone Have Sept Cabeças (with Megan Rooney), CRAC Alsace, Altkirch, France; Bungalow Germania, German Pavilion, Venice Architecture Biennale, Italy; Pleasure Principles, Fondation d’Enterprise Galeries Lafayette, Paris; and Gestures in Time, Qalandia International, Ramallah/Jerusalem.

She has taught and lectured at Haute école d’art et de design (Geneva University of Art and Design, HEAD); The Banff Centre, Canada; and Institut Kunst, Basel. She is currently editor-in-chief of publications for documenta 14.

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