fune (boat), 1982

Yu-ichi Inoue
fune (boat), 1983
127 x 200 cm
Ink on Japanese paper
Installation view
©UNAC TOKYO
Photo by Alfredo Rubio

Overview

The process of writing Chinese ideograms, which originated over two thousand years ago, is governed by strict rules. Rather than follow these standardised patterns, however, Yu-ichi Inoue sought to express each character’s primitive meaning, turning it into a work of art with the expressive energy of his brush. While they depart from convention, his works are still imbued with the spirit of the ancient ideograms, which were based on forms in the natural world.


2013

This project was part of Sharjah Biennial 11

Artwork Images

Jo (Left); Gen (Right)

Yu-ichi Inoue
1968—1985

Ink on Japanese paper
143 x 182 cm (Left)
114 x 157.6 cm (Right)
Installation view
©UNAC TOKYO
Photo by Alfredo Rubio

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Jo (Left); Gen (Right) Image

Cho

Yu-ichi Inoue
1968

Ink on Japanese paper
146.5 x 242.5 cm
Installation view
©UNAC TOKYO
Photo by Alfredo Rubio

Cho Image

Chinese ideograms

Yu-ichi Inoue
1968—1985

Ink on Japanese paper
Dimensions variable
Installation view
©UNAC TOKYO
Photo by Alfredo Rubio

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Chinese ideograms Image

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