Execution Squares (No.20), 2008

Hrair Sarkissian
Execution Squares (No.20), 2008
Lamda print mounted on aluminium
125 x 175 cm
Sharjah Art Foundation Collection

Overview

In certain countries, the death penalty by public execution still exists for crimes such as treason and murder. Execution Squares (2008) depicts public squares in three Syrian cities–Aleppo, Latakia and Damascus–where this form of punishment occurred and in some cases, continues. These sites were commonly found in the heart of the city, where the community gathered for various everyday activities. The rationale being, to make visible to the public, the sentence that one would incur for a particular crime, equally, serving as a form of revenge for purported victims and their families.

These executions are conceived as public events, where passersby become witnesses–willingly or not–to the dissolution of life. As a young teenager on his way to school, Sarkissian saw three bodies hanging in one of these squares—becoming a silent witness. As an adult, Sarkissian returned to these locations, documenting these empty squares at dawn—the time of these killings, to erase the trauma from his memory. The result is a public archive of that which is withheld from public record, By photographing these scenes, the artist enshrines them into history. The burnished sun-kissed buildings in these 14-life size photos reveal a fragile paradox between the beauty and tranquillity of these locations and the political and social realities that they disguise.

Artwork Images

Execution Squares

Hrair Sarkissian
2008

One of fourteen lamda prints
Mounted on aluminium
128 x 163 cm
Sharjah Art Foundation Collection

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Execution Squares Image

Execution Squares

Hrair Sarkissian
2008

One of fourteen lamda prints
Mounted on aluminium
128 x 163 cm
Sharjah Art Foundation Collection

Execution Squares Image

Execution Squares

Hrair Sarkissian
2008

One of fourteen lamda prints
Mounted on aluminium
Installation view
Sharjah Art Foundation Collection
Photo by Alfredo Rubio

Execution Squares Image

Execution Squares

Hrair Sarkissian
2008

Two of fourteen lamda prints
Mounted on aluminium
Installation view
Sharjah Art Foundation Collection
Photo by Alfredo Rubio

Execution Squares Image

Execution Squares

Hrair Sarkissian
2008

Five of fourteen lamda prints
Mounted on aluminium
Installation view
Sharjah Art Foundation Collection
Photo by Alfredo Rubio

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Execution Squares Image

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Execution Squares

Sarkissian, Hrair

Hrair Sarkissian’s photographs reflect on personal memories, using subjectivity as a way to navigate stories that official histories are unable to tell. Using traditional documentary techniques in large-scale works, he engages the viewer in a profound consideration of what lies behind the surface of the images, thereby re-evaluating larger historical or social narratives.