Papy Ebotani has been a dancer for over fifteen years.

Im Heung-soon’s recent work in documentary film, photography and installation has explored the impact of Korea’s modernisation through engagement with its older generations.

Over the past few years, Iman Issa’s work has explored the contemporary relevance of objects, ideas and modes of communication that seemingly belong to another time.

Maryam Kashani’s research and work explore the possibilities of visual perception, cinematic narrative and representation.

Mohammed Kazem’s practice is characterised by the use of reductive elements in repeating formats.

Hassan Khan is an artist, musician and writer.

Beom Kim’s art practice is a questioning of perception and knowledge.

Byron Kim has long distilled his approach to life and art in a conceptual practice marked by studies of colour and abstraction.

In his practice, Lee Kit works with everyday materials such as fabric or cardboard to address ordinary daily rituals and the uses we give them.

From her earliest works, Jac Leirner has worked with found objects, ready-mades and everyday detritus.

Faustin Linyekula’s work as a choreographer, dancer and founder of Studios Kabako in Kisangani is intimately tied to the artist’s engagement with his home country.

Working with video, photography 
and installation, Cinthia Marcelle choreographs interventions that often transform mundane or redundant gestures into poetic displays of exchange.

Rodney McMillian’s multimedia work addresses themes of economic inequity and identity in contemporary American society.

Julie Mehretu is best known for her large-scale paintings that layer geographical schema, maps and architectural representations of the city –the compressed and densely populated urban environments of the twenty-first century as well as cities with histories of erasure.

Mixrice has worked with a community of migrant workers in Maseok, an industrial area outside of Seoul, since 2002.