Ho Tzu Nyen and Tuấn Andrew Nguyễn excavate the movement of people and objects as testimonial vessels that hold counter-memory in the face of the monolith of naming. Ho charts a ‘Southeast Asia’ through the sounds of the gong, while Nguyễn listens to the near-erased histories of an ‘Indochina’ via long-lost Vietnamese migrants who reimagine how Senegal became home.