April Acts 2025: to carry new formations
18–20 April 2025
Across Sharjah Biennial 16 venues
Please register via this link.
Sharjah Art Foundation is pleased to announce further details about the inaugural edition of April Acts, a dynamic weekend initiative expanding on the curatorial framework of Sharjah Biennial 16 (SB16). Titled to carry new formations, the programme endeavours to build constellations of gathering and dialogue across multiple positions, societal experiences and ongoing transitions.
How can we reimagine and critically investigate our current situations or positions to construct and manifest new approaches to resistance, reciprocity, communal networks and life-enabling systems and structures? to carry new formations explores this overarching question through the exchange of ideas and practices, bringing together conversations, performance, cultural expression, art and activism.
April Acts 2025 takes place as a key extension of Sharjah Biennial 16, which features more than 650 works by nearly 200 participants, including more than 200 new commissions. Curated by Alia Swastika, Amal Khalaf, Megan Tamati-Quennell, Natasha Ginwala and Zeynep Öz, SB16 convenes under the title to carry. A multivocal and open-ended proposition exploring the ever-expanding questions of what to carry and how to carry it, SB16 is an invitation to encounter the different formations and positions of the five curators as well as the resonances they have gathered.
Using SB16 as both a platform and an instrument, April Acts 2025 engages with the works at the Biennial to highlight independent and collective dialogues around systemic transition, societal shifts, ruptured and recovered histories, forms of collective organising, leadership (including communal leadership) and old knowledge reimagined in new forms. Encouraging practices of new and experimental methodologies, self-organisation and deep reflection and listening, the programme explores collaborative cultural production, acoustic heritage, creative infrastructures under threat, and the spatial and psychic boundaries that limit the movement of people and ideas. The programme builds off Sharjah’s proximity to the sea to bolster discussions on belonging, mobility and marine traffic.
Through panel discussions, artist talks, participatory workshops, film screenings and live music performances, April Acts 2025 aims to create a polyphonous space that invites multiple perspectives to co-exist and thrive. Among the offerings are guided walks; a listening session with Singing Wells; Risograph printing workshops; Self-Publishing workshops using several printing techniques such as Risograph, including a workshop led by Bhumika Saraswati and Siddhesh Gautam (founders of the magazine All That Blue); discussions with artists such as Brian Martin, Yhonnie Scarce and Megan Cope; and a screening of First Horse (2024) by Awanui Simich-Pene. Başak Günak, Berke Can Özcan, Sandy Chamun and Hauptmeier I Recker will collaborate in a performance based on their sound installation in the Biennial; Koleka Putuma will offer a performance titled WATER (reprise); and there will also be a series of performances based on the SB16 work He Kōrero Pūrākau mō te Awanui o te Motu: Story of a New Zealand river (2011), the red, fully carved Steinway concert grand by Māori artist Michael Parekōwhai. Additionally, an invitation-only curatorial workshop anchored in the ethos of the Biennial creates space for collective wayfinding, offering a moment to reflect on what we inherit, what we hold, and what we must reimagine in order to carry forward new formations of support, resistance and continuity.
For more information on Sharjah Biennial 16, please visit sharjahart.org
List of Participants
Akinbode Akinbiyi, Akram Zaatari, Al MacSween, Albert L Refiti, Alia Swastika, Amal Khalaf, Andrew J. Eisenberg, Avni Sethi, Başak Günak, Berke Can Özcan, Bettina Ng'weno, Bhumika Saraswati, Bint Mbareh, Brian Martin, Caroline Courrioux, Claudia Martinez Garay, Christianna Bonin, Daniela Castro, Dawn Chan, E.N Mirembe, Engseng Ho, Fatma Belkıs, George Jose, Georgina Velasco (The Voice of Domestic Workers), Gita Rani, Grace Hussein Karima and Leah Ndahani Zawose (Zawose Sisters), Hauptmeier I Recker, Hsu Fang-Tze, John Clang, Jo-Lene Ong, Koleka Putuma, Liam Wooding, Mahmoud Khaled, Marigold Quimoy Balquen (The Voice of Domestic Workers), Mariam M. Alnoaimi, May Adadol Ingawanij, Megan Tamati-Quennell, Mere Boynton, Natasha Ginwala, One Sudan One Sound of Solidarity (OSOS), Raafat Majzoub, Red de Reproducción y Distribución (Reproduction and Distribution Network), Rosie Olang' Odhiambo, Sa Tahanan Collective, Sandy Chamoun, Sarathy Korwar, Seema Alavi, Siddhesh Gautam, Sophia Tintori, Tabu Osusa, Taloi Havini, Tara Al Dughaither, Yasmine El Rashidi, Zeynep Öz.
Sharjah Art Foundation is an advocate, catalyst and producer of contemporary art within the Emirate of Sharjah and the surrounding region, in dialogue with the international arts community. The Foundation advances an experimental and wide-ranging programmatic model that supports the production and presentation of contemporary art, preserves and celebrates the distinct culture of the region and encourages a shared understanding of the transformational role of art. The Foundation’s core initiatives include the long-running Sharjah Biennial, featuring contemporary artists from around the world; the annual March Meeting, a convening of international arts professionals and artists; grants and residencies for artists, curators and cultural producers; ambitious and experimental commissions and a range of travelling exhibitions and scholarly publications.
Established in 2009 to expand programmes beyond the Sharjah Biennial, which launched in 1993, the Foundation is a critical resource for artists and cultural organisations in the Gulf and a conduit for local, regional and international developments in contemporary art. The Foundation’s deep commitment to developing and sustaining the cultural life and heritage of Sharjah is reflected through year-round exhibitions, performances, screenings and educational programmes in the city of Sharjah and across the Emirate, often hosted in historic buildings that have been repurposed as cultural and community centres. A growing collection reflects the Foundation’s support of contemporary artists in the realisation of new work and its recognition of the contributions made by pioneering modern artists from the region and around the world.
Sharjah Art Foundation is a legally independent public body established by Emiri Decree and supported by government funding, grants from national and international nonprofits and cultural organisations, corporate sponsors and individual patrons. Hoor Al Qasimi serves as President and Director. All exhibitions are free and open to the public.
Sharjah is the third largest of the seven United Arab Emirates and the only one bridging the Arabian Gulf and the Gulf of Oman. Reflecting the deep commitment to the arts, architectural preservation and cultural education embraced by its ruler, Sheikh Dr Sultan bin Muhammad Al Qasimi, Sharjah is home to more than 20 museums and has long been known as the cultural hub of the United Arab Emirates. In 1998, it was named UNESCO's 'Arab Capital of Culture' and has been designated the UNESCO ‘World Book Capital’ for the year 2019.
Alyazeyah Al Marri
alyazeyah@sharjahart.org
+971 (0)6 5444113