نظرة عامة
Considered to be among the most accomplished Arab painters and printmakers, Dalloul’s works merge contemporary disciplines with traditional materials such as ink, sepia and handmade paper. The subjects of his work involve stagnant, commonplace domestic objects such as chairs and tables, which are placed on the foreground of landscapes depicting nature’s virility in some form. The landscapes depicted in the works, often recollections of those found in his birthplace Syria, are however accompanied by characteristic dark masses of color. Through exploring the dichotomy between that which is still and that which is ever-changing Dalloul challenges convenient definitions associated with both the Orient and the Occident while simultaneously referencing art history’s relationship to still-life. The show will feature several large-scale paintings including a triptych, which was featured in this year’s Sharjah Biennial, works on paper, and a series of etchings from the artist book entitled The Book of Cities made in collaboration with Syrian poet Adonis.
شارك هذا المشروع في بينالي الشارقة 10
صورة للعمل الفني
Still Life-Landscape
زياد دلًول
2004
زيت على ورق ياباني لؤلؤي
76 × 56 سم
لقطة للعمل التركيبي
تقديم غاليري أتاسي دمشق
مقتنيات الفنان
تصوير ألفريدو روبيو
معلومات ذات صلة
زياد دلّول
تخرّج زياد دلّول من كليّة الفنون الجميلة، دمشق في 1977 ومن ثم درس في إيكول ناسيونال سوبيريور ديزآر ديكوراتيف في باريس، حيث يعيش منذ ذلك الوقت.
حفر، وخامات متنوعة
Considered among the most accomplished Arab painters and printmakers, Ziad Dalloul has been captivated with natures mortes, or still life, noting that the English word describes his practice more faithfully than the French one.
بينالي الشارقة 11 ولقاء مارس 2013: نحو خارطة ثقافية جديدة
تتبنى هذه المطبوعة المفهوم الذي استخدمته يوكو هاسيجاوا لتقييم "بينالي الشارقة 11: نهوض – نحو خارطة ثقافية جديدة" ولقاء مارس 2013.