Souls' Landscapes: Earth layers
Uriel Barthélémi
2015
Performance view
Photo by Alfredo Rubio
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Uriel Barthélémi
2015
Performance view
Photo by Alfredo Rubio
Performance view
A sonic composition reflecting on Frantz Fanon’s The Wretched of the Earth (1961), Souls' Landscapes incorporates music, movement, shadow and text and is spatialised in three distinct public venues, corresponding to each of its chapters.
The triptych structure of Barthélémi’s piece explores different sides of the performers’ perceptions of Fanon’s thought and allows for an abstract progression between each part. All three chapters explore distinct, thematically related rhythmical continuums or iterative ‘sound colours’ creating resonance between them while developing a nonlinear, subterranean structure. Solo electronic components are used in the first and second parts, while the third employs direct, radical switches between fragments of language, revealing consciousness through apparent chaos.
Related to the sea and the port, critical aspects of Sharjah’s history, the performance sites address how these have evolved over time and what it means to perform in proximity to them.
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