This presentation by Melissa Clarson, titled ‘The “Free-floating” Srinagar Biennale’, delves into how the Srinagar Biennale adopts an innovative and free-flowing format that allows the Kashmiri community to assert a new visual narrative through a ‘rhizomatic’ approach. The talk presents research published in an essay of the same title that was commissioned for the March Meeting Papers. Selected through the March Meeting 2021 open call, the essays included in the March Meeting Papers expand on curator Okwui Enwezor’s influential thinking about the Biennial as a platform to engage with history, politics and society. Taken together, these essays reveal the extent to which the biennial model, such as the Sharjah Biennial, has contributed to the realisation of new narratives and experiences of modern and contemporary art.
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Carlson, Melissa
Melissa Carlson’s recent work examines the development of modern and contemporary art in the late twentieth and early twenty-first century under the postcolonial censorship regime in Myanmar.