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ArtAsiaPacific: Sharjah Biennial Report: Adrift
17 March 2013
Day four at the Biennial.
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17 March 2013
Day four at the Biennial.
15 March 2013
Day two at the Biennial.
14 March 2013
It is easy to get lost in the labyrinthine passages, baking courtyards and rooftop terraces of the Sharjah Biennial, this year featuring over 100 artists and 42 newly commissioned works, many of which chart the cartography and choreography of space.
7 October 2012
On Friday October 12 in London, acclaimed Lebanese sound artist Tarek Atoui will transport audiences through a lost world of Arabic culture with his trance-inducing La Suite, a five-hour performance piece inspired by classical Arab music.
24 March 2012
Sama Alshaibi moderated a panel on Artists as Nomads, describing herself as the least 'nomadic artist on the panel, relatively speaking,' secure in a US Professorship.
24 March 2012
A consequence of trying to write about the MM while presenting at it as well as attending panels, films and exhibitions [to say nothing about the barely glimpsed wonders of downtown Sharjah itself!] was that I missed some sessions.
24 March 2012
As I home in on conclusive thoughts, the first must be an acknowledgement of the fifth March Meeting as such.
24 March 2012
Sejla Kameric and I go East [to Kalba]
22 March 2012
Murtaza Vali moderated another of the central panels during this March Meeting; Artists and Audiences.
22 March 2012
Day One unfolded in celebration of a range of curatorial and cultural risks taken [actual and potential], from large European and North American institutions through more wide-ranging, smaller and artist-led institutional initiatives to a single artist’s practice.
20 March 2012
Salah Hassan, venerable Cornell Professor, followed the UAE’s Minister of Culture in delivering a keynote speech.
19 March 2012
This is my second March Meeting and my first attended without the contextual buzz and fruitful ‘distractions’ of the Sharjah Biennial going on around it. It’s worth remarking on what a special and in fact, important event it is.