Tintin Wulia highlights the arbitrary nature of geopolitical borders by staging participatory performances including simple games, auctions and collective mural-making. These works, which make use of chance as a prominent feature, allow the audience to experience borders made diffuse or more visible.
Wulia has exhibited widely, including at the Gwangju Biennale, Korea (2012); ZKM | Center for Art and Media, Karlsruhe, Germany (2011); Moscow Biennale, Russia (2011); Institute of Contemporary Arts, Singapore (2010); Van Abbemuseum, Eindhoven, the Netherlands (2007); Haus der Kulturen der Welt, Berlin (2005) and the Istanbul Biennial, Turkey (2005).
This person was part of Sharjah Biennial 11
Terra Incognita, et cetera
Terra Incognita, et cetera is an exercise in collective painting and a spin on territorial marking.
Sharjah Biennial 11: Re:emerge – Towards a New Cultural Cartography
This catalogue accompanied Sharjah Biennial 11.