Ancestral Gratitude Bridge (2022)

Tahila Mintz

Sharing. Kindness. Gratitude. R E S P E C T
2022
4-channel projection 11 minutes
Produced by Sharjah Art Foundation Filmed in Balinese, Misak, Kogi, Haudenosaunnee and Emirati territories

Ancestral Gratitude Bridge
2022
Virtual reality Durations variable
Supported by Virtual Embodiment Lab, Communication Department, Cornell University, Ithaca, USA; and Goethe-Institut, Chicago; and Sharjah Art Foundation

From ‘Woman and Earth’, 2023
Fatima Al Mughanni
Archival Hahnemühle Fine Art print
98 x 127 cm
Haleema Al Owais
Archival Hahnemühle Fine Art print
98 x 127 cm
Al Madam
Archival Hahnemühle Fine Art print
98 x 127 cm
Ring Road, Mudaifi, Khorfakkan
Vinyl wallpaper
459 x 330 cm
Al Heerah Water
Archival Hahnemühle Fine Art print
98 x 127 cm
Umm Saeed
Archival Hahnemühle Fine Art print
98 x 127 cm
Sheikha Rashid Khames Alnaqbi
Archival Hahnemühle Fine Art print
98 x 127 cm

Produced by Sharjah Art Foundation

Courtesy of the artist

Overview

Tahila Mintz engages with ancestral systems of matriarchy, gender equality and contemporary issues impacting Indigenous societies. Ancestral Gratitude Bridge (2022) is a 360-degree virtual reality film expanding on the original narratives and teachings of Haudenosaunee. Traversing land and sea, the footage weaves intimate interactions within Haudenosaunee and Sharjah’s landscapes, fauna and flora, invoking the primacy and universality of Indigenous communities’ reciprocal relationship with the natural world. Sharing. Kindness. Gratitude. RESPECT (2023), the accompanying four-channel audiovisual work, augments the film’s sweeping landscapes with intimate explorations around water, native fauna as well as ancestral practices of gratitude and respect.

My Grandmothers’ Light Shines Through Me (2022) and Woman and Earth (2023) are two complementary series of large-scale analogue portraits of Indigenous women.
The series pay tribute to matrilineal and matriarchal systems of societal organisation, evoking notions of strength and empowerment through the interwoven relationship between women and land. This relationship is fundamental to the Haudenosaunee women and Emirati women. Audio recordings provide further insight into each subject’s practice and mode of perception.