Echo

Echo

Moataz Nasr

Echo screens the well-known sequence from El Ard alongside Nasr’s footage of El Ansary. The projections face and echo one another, suggesting that the problems which faced Egyptian society in 1933 and 1969 remain unresolved in 2003.

Enclosed

Enclosed

Amina Menia

Enclosed revisits the extraordinary history of a monument located in the heart of Algiers.

Execution Squares (No. 15)

Execution Squares (No. 15)

Hrair Sarkissian

Hrair Sarkissian uses the techniques of documentary photography to comment on complex social and political realities and to question the ways in which photography as a medium determines how images of these realities are read.

Execution Squares (No. 16)

Execution Squares (No. 16)

Hrair Sarkissian

Hrair Sarkissian uses the techniques of documentary photography to comment on complex social and political realities and to question the ways in which photography as a medium determines how images of these realities are read.

Execution Squares (No. 17)

Execution Squares (No. 17)

Hrair Sarkissian

Hrair Sarkissian uses the techniques of documentary photography to comment on complex social and political realities and to question the ways in which photography as a medium determines how images of these realities are read.

Execution Squares (No. 18)

Execution Squares (No. 18)

Hrair Sarkissian

Hrair Sarkissian uses the techniques of documentary photography to comment on complex social and political realities and to question the ways in which photography as a medium determines how images of these realities are read.

Execution Squares (No. 19)

Execution Squares (No. 19)

Hrair Sarkissian

Hrair Sarkissian uses the techniques of documentary photography to comment on complex social and political realities and to question the ways in which photography as a medium determines how images of these realities are read.

Execution Squares (No. 2)

Execution Squares (No. 2)

Hrair Sarkissian

Hrair Sarkissian uses the techniques of documentary photography to comment on complex social and political realities and to question the ways in which photography as a medium determines how images of these realities are read.

Execution Squares (No. 20)

Execution Squares (No. 20)

Hrair Sarkissian

Hrair Sarkissian uses the techniques of documentary photography to comment on complex social and political realities and to question the ways in which photography as a medium determines how images of these realities are read.

Execution Squares (No. 3)

Execution Squares (No. 3)

Hrair Sarkissian

Hrair Sarkissian uses the techniques of documentary photography to comment on complex social and political realities and to question the ways in which photography as a medium determines how images of these realities are read.

Execution Squares (No. 5)

Execution Squares (No. 5)

Hrair Sarkissian

Hrair Sarkissian uses the techniques of documentary photography to comment on complex social and political realities and to question the ways in which photography as a medium determines how images of these realities are read.

Execution Squares (No. 6)

Execution Squares (No. 6)

Hrair Sarkissian

Hrair Sarkissian uses the techniques of documentary photography to comment on complex social and political realities and to question the ways in which photography as a medium determines how images of these realities are read.

Execution Squares (No. 7)

Execution Squares (No. 7)

Hrair Sarkissian

Hrair Sarkissian uses the techniques of documentary photography to comment on complex social and political realities and to question the ways in which photography as a medium determines how images of these realities are read.

Execution Squares (No. 8)

Execution Squares (No. 8)

Hrair Sarkissian

Hrair Sarkissian uses the techniques of documentary photography to comment on complex social and political realities and to question the ways in which photography as a medium determines how images of these realities are read.

Execution Squares (No.12)

Execution Squares (No.12)

Hrair Sarkissian

Hrair Sarkissian uses the techniques of documentary photography to comment on complex social and political realities and to question the ways in which photography as a medium determines how images of these realities are read.

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