Working in a wide range of media, including photography, video, sculpture, drawing and installation, Kader Attia reflects on the aesthetics and ethics of different cultures and takes a poetic and symbolic approach to exploring the repercussions of Western cultural hegemony and colonialism for non-Western societies.

Solo exhibitions of his work include Sacrifice and Harmony, Museum für Moderne Kunst, Frankfurt am Main (2016); The Injuries Are Here, Musée Cantonal des Beaux Arts, Lausanne (2015); Culture, another nature repaired, Middelheimmuseum, Antwerp (2014); Contre Nature, Beirut Art Center (2014); Continuum of Repair: The Light of Jacob’s Ladder, Whitechapel Gallery, London (2013); Repair. 5 Acts, KW Institute for Contemporary Art, Berlin (2013) and Construire, Déconstruire, Reconstruire: Le Corps Utopique, Musée d’Art Moderne de la Ville de Paris (2012). His work was also featured in group exhibitions at the Leopold Museum, Vienna (2016); Solomon R. Guggenheim Museum, New York (2016); Museum of African Art, Smithsonian Institution, Washington, DC (2014); dOCUMENTA 13, Kassel, Germany (2012); Museum of Modern Art, New York (2012) and Tate Modern, London (2011). His work is part of the collections of the Centre Georges Pompidou, Paris; Institute of Contemporary Art, Boston; Museo Jumex, Mexico City; Tate Gallery, London and Museum of Modern Art, New York, among others.

Attia was awarded the Priz Marcel Duchamp (2016), Cairo Biennale Prize (2009) and the Abraaj Capital Art Prize (2009). He was also commissioned to create the production designs for the Rambert Dance Company’s The Comedy of Change (2009).

He holds degrees from the École Supérieure des Arts Appliqués, Paris (1993); Escola Massana de Artes Aplicades, Barcelona (1994) and École National Supérieure des Arts Décoratifs, Paris (1998).

his person was part of Sharjah Biennial 13.


Attia, Kader

Rochers Carrés

In Algiers, near the Bab el Oued neighborhood, there is a beach that young people nickname 'Rochers Carrés'.