Miki Kasahara is inspired by daily life and the incongruities of contemporary society.

Yazan Khalili’s photography explores the relationship between the social and spatial elements of the built environment and the greater landscape.

Hassan Khan is an artist, musician and writer.

In the early 1990s, Lúcia Koch began making temporary interventions in domestic spaces, a practice that she would later extend into art institutions.

Lagash seeks to add a new dimension to Oriental music, fascinating audiences with complex and seductive melodies, melancholy harmonies, surprising rhythms and great precision.

The interplay between perception and imagination, belief and desire is the driving force behind Gabriel Lester’s practice.

Ranging from the thoroughly composed to the freely improvised, the music of Lukas Ligeti draws upon downtown New York experimentalism, contemporary classical music, jazz, electronica and traditional world music.

Pablo Lobato works in different media, such as film, photography, site-specific installation, objects and actions.

Documentary filmmaker James Longley’s projects have focused on amplifying the voices and perspectives of the most vulnerable through cinema.

Basim Magdy’s practice began with painting and has gradually evolved through experimentation with various mediums.

Encompassing video, film and photography, visual artist Basir Mahmood's practice contemplates embedded social and historical terrains of the ordinary alongside his personal milieu.

Working primarily with video but also with installation, photography and performance, Taus Makhacheva questions the unstable boundary between similarity and difference, acceptance and rejection, and draws attention to efforts to merge, mimic, assimilate or leak into what is other.

Working with video, photography 
and installation, Cinthia Marcelle choreographs interventions that often transform mundane or redundant gestures into poetic displays of exchange.

Hassan Massoudy learned classical Arabic calligraphy in Baghdad, Iraq, having moved there in 1961.

Informed by his education and work as a medical doctor as well as the social, religious and historical contexts of Saudi Arabia, Ahmed Mater’s practice explores the narratives of Islamic culture in an era of globalisation, consumerism and flux.