Sharjah Biennial 16

Peter Broderick spearheads the distribution of exceptional independent films and consults with filmmakers around the world. As President of Paradigm Consulting, he helps filmmakers and media companies maximize maximise distribution, audiences, and revenues.

Artist, curator and writer Brook Andrew’s practice is grounded in his perspective as a Wiradjuri and Celtic person with matrilineal kinship from the Kalar Midday (land of the three rivers) of the Wiradjuri people in Australia.

Khaldun Bshara is a conservation architect and anthropologist.

The work of sculptor Mohammed Abdullah Bulhiah, constructed in metal, wood and stone, consists of both abstract forms and sculptures of Emirati wildlife.

Érik Bullot's work explores both documentary and experimental genres and his approach as a filmmaker explores cinema’s formal and poetic force.

Reflecting her investigative and documentary nature, Adriana Bustos’ work represents social histories and their physical and psychological routes of value.

Zoe Butt is a curator and writer based in Vietnam. Her curatorial practice centres on building critically thinking and historically conscious artistic communities, fostering dialogue among countries of the global south.

Omar Butti has managed large-scale media industry development initiatives and worked both in front of and behind the camera.

Delphine Buysse currently serves as the curator of programmes at RAW Material Company.

Madison Bycroft lives and works between Rotterdam and her hometown of Adelaide, Australia.

Unnikrishnan C was born into a family traditionally engaged in basket weaving in Pezhumpara, rural Kerala.

In addition to producing a quarterly magazine, Cabinet has published a number of books.

Fascinated by myths and legends, Çağla Zencirci uses the medium of cinema to tell real-life stories.

Brigitte Caland is a professional cook trained in France with Marc Meneau (L’Espérance), Philippe Legendre (Le V) and the Pourcel Brothers (La Maison Blanche).

Traversing art, design and fashion, Huguette Caland’s interdisciplinary practice encompasses both the figurative and the abstract.