Projects

In Threnody (2016), Webb explores tonality, virtuosity and authorship through the transformation of a pop song.

James Webb’s interdisciplinary practice examines the depths of audiovisual culture.

Ismaïl Bahri’s experiments with moving image explore notions of duration, scale, visibility and resolution.

In a practice spanning some 40 years, İnci Eviner has explored the perspective of women, processes of organisation and the formation of subjectivities.

İz Öztat and Fatma Belkıs are collaborators who explore the convergence of water and freedom.

Hind Mezaina’s work delves into themes of cultural memory, change and the notion of heritage.

During a five-decade career beginning in the mid-1960s, Harun Farocki created more than 120 films and installations that analysed the power of the image.

Hana Miletić explores conditions of scarcity and indifference through their residue and trace in the built environment.

In many of Ghassan Salhab’s films, ‘travel’ serves as a foil for other kinds of ‘transport’ that circumnavigate intention, orientation and linear temporality.

Futurefarmers is an international collective of artists, activists, farmers and architects.

Drawing on the long, rich history of publishing in the Eastern Mediterranean and North Africa (EMNA) and the diaspora, Fehras Publishing Practices considers the stakes of contemporary publishing in and beyond print culture.

Informed by his training in architecture and fine art, Fathallah Zamroud approaches the constructs of space and time through the medium of painting.

Central to Em’kal Eyongakpa’s practice is the quest for negotiations between ‘life’ sciences, art, 'juju’ and technology, with interwoven installations, performances and soundscapes that not only blur the boundaries between employed media but could also alter notions of the real and the illusory.

Donghee Koo’s practice involves a process-based dialogue with space and often combines objects, found materials and video as a means of externalising interior impressions.

Dineo Seshee Bopape’s recent constellation of sculptures reflects on a South African protest song that envisioned the country’s struggle against apartheid as part of a larger pursuit of liberation across the continent.