Projects

Ibrahim Mahama's large-scale installations surface narratives of capitalism, global trade, crisis and injustice in materials reclaimed from the built environment of his native Ghana.

Pak Khawateen Painting Club is a collective whose provocateurs investigate colossal hydrological engineering structures on the Indus River with transnational implications, including Indigenous displacement, land salinisation and ecological decline.

An Indigenous artist and member of the Lac Seul First Nation, Rebecca Belmore’s art focuses on land use, resource allocation, climate change and displacement.

Combining autoethnographic methodologies with archival portraits, Inuuteq Storch’s photographic practice bridges personal and universal visions of Greenland.

Philippe Parreno creates singular, multisensory viewer experiences characterised by their unique spatiotemporal dynamics, allowing for open-ended, highly participatory explorations.

Gabriela Golder examines the intersection between labour and memory from a wide variety of sources— political, mythical and medical—to highlight the aftereffect of violent state actions.

Erkan Özgen explores the impact of war and terror on the collective and personal lives of those directly affected.

Hangama Amiri combines sewn textile work with hand-painted elements to create images that reflect on conceptions of contemporary Afghan life.

Drawing from a lifetime of complex entanglements with the physical and emotional legacies of the Vietnam War, Pipo Nguyen-duy’s photography is influenced by traditional landscape painting and theatrical composition.

Heri Dono’s paintings and installations merge imagination and Indonesian folk traditions with politics and modern art.

Collecting and repurposing found objects, Nari Ward grapples with social and political issues surrounding race, poverty and consumer culture via metaphor and juxtaposition.

Flavia Gandolfo’s work investigates how the visual conventions and material cultures of nationalism institutionalise state identities.

Kahurangiariki Smith’s art addresses the history of colonisation, the reclamation of Indigenous knowledge and the present-day, lived consequences of historical events in New Zealand.

Emphasising Arab heritage and identity, Abdulrahim Salem’s practice grapples with elements of magic, mysticism and folk traditions.