Projects

This installation of Steel Rings represents the first sixty five kilometres of the TAPLine from its origin in Saudi Arabia.

The Fourth Stage (2015) weaves a complex and unlikely union of illusion and myth between three worlds of which he is concurrently a part.

Our Look Was as If Two Lovers, or Deadly Enemies (2015) is a three-channel video installation that juxtaposes two reading performances with more traditional documentary footage.

The practice of Adrián Villar Rojas is marked by large-scale, site-specific interventions that incorporate his fascinations with battling ecosystems, physical decay, unlikely rebirth and man’s interference in it all.

Use Like Water (2015) is a nine-day performance that begins as a journey and culminates on the upper terrace of Bait Obaid Al Shamsi during the opening days of SB12.

For SB12, Danh Vo assembles the thirteen parts that comprise the Statue of Liberty's ‘armpit’, which towers nine metres high.

In her work, Haegue Yang has employed ready-made objects.

The Secession Sessions is a multipart project that investigates questions of statehood and representation through the prism of statelessness.

The work of Ayreen Anastas and Rene Gabri engages questions of the human condition amid a world of increasing speed, scale, automation and accumulation by dispossession.

Babak Afrassiabi and Nasrin Tabatabai’s work Plate It with Silver (2015) is a video set along the northern and southern shores of the Strait of Hormuz.

The Incidental Insurgents (2012–15) is a three-part installation that spatialises a contemporary search for a new political language and imaginary.

End of Dreams is a work in various media: sculptural installation, video, audio and photography.

Lebanese filmmaker Rania Stephan’s new film Memories of a Private Eye premiered at Berlinale on February 11, 2015. The film was commissioned by Sharjah Art Foundation.

Mohamed Abdelkarim engages with notions of authorship and representation, camouflage and concealment, exchange and play.