Projects

Almagul Menlibayeva and Bahar Behbahani explore the dialogue between two ancient cultures that border the Caspian Sea on the crossroads of the Middle East and Central Asia.

A Love Story is a miniature narrative in four acts where time becomes fluid as the image is distilled to its inner self.

He began culling images from newspapers and magazines, instinctively juxtaposing them.

The Sharjah InfoCart is a mobile kiosk that traveled to malls and outdoor public places in Sharjah including Al Qasba, Sahara Centre Mall, Rolla, and Al-Jubail bus station, during January and February 2011.

Javad Yassari rose to fame in the late 1970s in Lalezar, Tehran’s club strip where he sang in smoky theatres and cabarets.

Maportaliche/ It has no importance is a mixed-media installation of a patchwork of words, texts, short descriptions in languages from the artist’s lived socio-linguistic reality in Algeria as well as from his world of literary and theatrical production.

Anna Boghiguian’s project is about migration, whether of goods and ideas or the movement of people in global labour markets.

A Typology of Houses is a descriptive record of culture made manifest in the building vernacular of residential housing in Dubai.

'In the eyes of the Islamist terrorists I belonged to the hateful category of the tagh’out' – a traitor to the cause of God.

Apichatpong Weerasethakul produced Le Jardin de Ma Mère in response to an invitation by Eric Troncy, who, with Victoire de Castellane, designed a collection of jewelry for Christian Dior.

In the late nineteenth century, trade cards – long used by merchants to advertise their businesses – became what we today know as ‘trading cards’.

A Dream of Warsaw documents the work leading up to an exhibition by Polish architect, urban planner, theorist and teacher Oskar Hansen.

The Book of Profanation, exhibited here for the first time as an experimental prototype, is a compendium of recent projects by Decolonizing Architecture Art Residency (DAAR).

Doug Ashford is a New York based artist, teacher and writer whose work considers exhibition, display and other social production as formal models for speculation and reconsideration.

In the 1970s, Moroccan schoolboys and students dreamed of freedom and democracy.