![](http://sharjahart.org/images/uploads/site-images/SB11_Amorales_Well_See_How_All_Reverberates_2.jpg)
We’ll See How All Reverberates, 2012
Carlos Amorales
We’ll See How All Reverberates, 2012
Steel, copper and epoxy pain
Dimensions variable
Installation view
Courtesy of the Artist and Yvon Lambert Gallery, Paris
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Carlos Amorales
We’ll See How All Reverberates, 2012
Steel, copper and epoxy pain
Dimensions variable
Installation view
Courtesy of the Artist and Yvon Lambert Gallery, Paris
This installation is based on the organic shapes of Alexander Calder’s mobiles, but in place of abstract forms, thirty-five different cymbals are suspended from the ceiling. The cymbals are intended to be played by exhibition visitors as well as by professional musicians, transforming the quiet of the gallery space into a noise that is harmonic or chaotic.
2013
This project was part of Sharjah Biennial 11
Carlos Amorales
2012
Steel, copper and epoxy pain
Dimensions variable
Installation view
Courtesy of the Artist and Yvon Lambert Gallery, Paris