We’ll See How All Reverberates, 2012

Carlos Amorales
We’ll See How All Reverberates, 2012
Steel, copper and epoxy pain
Dimensions variable
Installation view
Courtesy of the Artist and Yvon Lambert Gallery, Paris

Overview

This installation is based on the organic shapes of Alexander Calder’s mobiles, but in place of abstract forms, thirty-five different cymbals are suspended from the ceiling. The cymbals are intended to be played by exhibition visitors as well as by professional musicians, transforming the quiet of the gallery space into a noise that is harmonic or chaotic.

2013

This project was part of Sharjah Biennial 11

Project Images

We’ll See How All Reverberates

Carlos Amorales
2012

Steel, copper and epoxy pain
Dimensions variable
Installation view
Courtesy of the Artist and Yvon Lambert Gallery, Paris

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We’ll See How All Reverberates Image

We’ll See How All Reverberates

Carlos Amorales
2012

Steel, copper and epoxy pain
Dimensions variable
Installation view
Courtesy of the Artist and Yvon Lambert Gallery, Paris

We’ll See How All Reverberates Image

We’ll See How All Reverberates

Carlos Amorales
2012

Steel, copper and epoxy pain
Dimensions variable
Installation view
Courtesy of the Artist and Yvon Lambert Gallery, Paris

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We’ll See How All Reverberates Image