Tarek Atoui is an artist and composer working within the realm of sound. Exploring new methods of collaboration and production, Atoui’s work often revolves around performances that develop from his extensive research into music history and tradition. His use of sound challenges and expands established ways of understanding and experiencing this medium.
In his work The Reverse Collection (2016), musical instruments of unknown age and origin, housed in an anthropology museum, are played and recorded, and then a new collection of instruments is created exclusively from listening to these recordings. His project WITHIN (2013) departs from Deaf culture to find new ideas for building instruments, composing and performing.
Atoui has participated in a number of exhibitions and festivals, including the Okayama Art Summit, Japan (2019); 58th International Art Exhibition of la Biennale di Venezia (2019); 8th Berlin Biennale (2014); Sharjah Biennial 11 (2013); dOCUMENTA 13, Kassel (2012); Performa 5, New York (2011); and Sharjah Biennial 9 (2009). He has also performed at Garage Moscow (2018); CCA NTU, Singapore (2017); Tate Modern, London (2016); Serpentine Gallery, London (2012); Sharjah Art Foundation (2011); Mediacity Seoul (2010); New Museum, New York (2010) and La Maison Rouge, Paris (2010).
Atoui was one of the artistic directors of the Bergen Assembly, Norway (2016), and STEIM Studios, Amsterdam (2007–2008). He studied contemporary and electronic music at the French National Conservatory of Reims (2007–2008).
Born in 1980 in Beirut, Atoui currently lives and works in Paris.
March Meetings 2012 and 2014
Sharjah Biennials 9, 10 and 11
Below 160, course at Al Amal School, Sharjah (2012)
Visiting Tarab, Performa Commission with Sharjah Art Foundation (2011, 2012)
Bytes and Pieces, Arts and Technology Workshop (2010)
Sharjah Art Foundation residency (2008)