Sharjah Biennial 16

A feminist art collective of Somali women established in Bristol in 2019, dhaqan collective centres the voices of women and elders in the Somali community, privileging co-creation and collaboration

Since 1983 all of Eugenio Dittborn’s work has been meticulously folded and packed into cardboard airmail envelopes and sent by post to exhibitions around the world.

Vikram Divecha’s work addresses labour, time and value in projects that manifest as public art, sculptural installation, video and drawing.

Barış Doğrusöz is an artist and filmmaker whose projects have taken the form of audiovisual installations, sculpture, graphic works, photography and drawings.

Trisha Donnelly absorbs photography, drawing, audio, video, sculpture and performance into a practice that reflects on both the aesthetics of the act of creation and its results.

Annie Dorsen produces performative art that is influenced by politics and culture.

Barry Doupé is an artist and filmmaker living in Vancouver and holds a Bachelor of Media Arts.

Since the late 1960s Lili Dujourie has explored a wide range of media including video, sculpture, photography and installation. Her collected video works (1972-1981) are considered seminal feminist works.

A conceptual and installation artist, Duman’s projects have largely reflected the development of public art practice in the UK.

Working in multiple mediums, Torkwase Dyson describes herself as a painter whose forms address the continuity of ecology, geography, infrastructure and architecture.

Latifa Echakhch responds to political and cultural issues through objects, images and texts that question meaning and appearance.

Alaa Edris uses photography, film and performance to enact experimental mappings and manipulations of her social and urban environment.

In addition to creating videos and performances, Işıl Eğrikavuk works as a journalist and teaches media and video art at Istanbul Bilgi University.