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Rain Room, Sharjah
Sharjah Art Foundation presents Rain Room for the first time in the Middle East. The installation is permanently sited in Al Majarrah, Sharjah.
Random International
2012
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Sharjah Art Foundation presents Rain Room for the first time in the Middle East. The installation is permanently sited in Al Majarrah, Sharjah.
Random International
2012
These opening lines introduce The Interview, an indirect narration of the real-life story of Dr Abdul Nabi, an Iraqi doctor who came to the United States in 2008.
Işıl Eğrikavuk
2008
Yang Shaobin
2012
I Am My Tool – Wall Street consists of six large oil paintings that powerfully visualise scenes of a tumultuous confrontation.
Shahzia Sikander
2012
In the photographs, you see the caretaker watching the faded screen as I project my drawings upon it, transforming the space and bringing the cinema back to life.
Shahzia Sikander
2011—2013
Shahzia Sikander
2009
In the photographs, you see the caretaker watching the faded screen as I project my drawings upon it, transforming the space and bringing the cinema back to life.
Yang Fudong
2013
It is so real
A remote and intimate world
Shilpa Gupta
2011
A library of 100 books written anonymously or under pseudonyms. Over the years and throughout the world, authors have written under pseudonyms or anonymously.
Shimabuku
2013
I invite the Biennial audience onto an abra, a traditional boat that travels across Sharjah Creek.
Wissam Shawkat
I have always believed that calligraphy can have a dynamic effect on the way we see and understand the world.
Simon Fujiwara
2013
Studio Pietà (King Kong Komplex) tells the story of Simon Fujiwara’s attempt to restage and photograph a lost picture of his mother held in the arms of a Lebanese boyfriend.
Bijoy Jain
2013
This project involves creating two spaces that are elemental and sensorial, based on the needs of everyday life.
Taus Makhacheva
2012
Gamsutl is an ancient Avarian settlement carved out of the mountains in Dagestan.
Taus Makhacheva
2011
Performances often exist only in closed institutional spaces, never reaching a secondary audience.
Taus Makhacheva
2010
'Portrait of Avar asks if one is born with a certain identity, or if we can choose how to identify ourselves.'
Taus Makhacheva
Taus Makhacheva
2006
'In this video, I constantly roll in and out of an old Dagestani carpet, known as a kilim. The carpet’s design symbolises the Garden of Eden.'
Taus Makhacheva
Wang Jianwei
2010
Wang Jianwei’s work is inspired by Slavoj Žižek’s book of the same name – a quote from the 1999 film The Matrix that echoes Jean Beaudrillard’s influential treatise Simulacra and Simulation.
Wael Shawky
2011―2013
Dictums 10:120 is a multi-part project that involves the composition and performance of a qawwali song.