Projects

Stories are told of an old woman who walked through Tahrir Square during the siege by the Egyptian army.

One Hundred Thousand Solitudes examines images that have emerged from the Arab revolutions and from different Occupy movements throughout the world.

Dressed like grown men, with glued-on moustaches and dubbed with the voices of adults, a group of boys retell a story by Egyptian writer Mohamed Mustagab.

One person at a time enters a small room containing a chair and a television set.

Tarek Atoui conceived this programme as a sound composition of four interrelated movements that build up and feed back on each other.

Each performer is presented in a reenactment of his or her normal performance situation, and an abstract cacophony is generated from their combined music.

Calligraphy enjoys the same expressive abilities as poetry, since all the arts are interrelated, each one paving the way for the other.

Untitled (Groundworks) is a new multi-channel video work that concentrates on the American landscape.

Combining the cultural and commercial - two apparently conflicting perspectives on value - this show addresses aspects of production, distribution and reception.

Combining the cultural and commercial - two apparently conflicting perspectives on value - this show addresses aspects of production, distribution and reception.

At this fully functioning bookshop visitors can browse and purchase second-hand science fiction and fantasy books.

This shop displays and makes available for purchase a variety of products amassed during the artist’s past decade of developing economic projects.

When she needs money to save her family from eviction, and to realize her dreams for the band, Malika agrees to a fast cash proposition: a smuggling run over the mountains for a dangerous drug dealer.

Lament of the Images is a philosophical essay on representation

In 1979, Samir Ghosseini’s Hasna’ wa ‘Amaliqa (The Beauty and the Giants) premiered in Beirut, marking the launch of the Lebanese action cinema genre.