Collection

In Framing the View, empty French colonial houses and dilapidated ruins appear to emerge out of the cliffs where they once stood overlooking the sea.

In Framing the View, empty French colonial houses and dilapidated ruins appear to emerge out of the cliffs where they once stood overlooking the sea.

In Haunted House, empty French colonial houses and dilapidated ruins appear to emerge out of the cliffs where they once stood overlooking the sea.

There is an informal, naive quality to the photographs from Rika Noguchi’s series In the Desert.

The Power Station series records the interiors of two neighbour buildings, a power station and a residence.

Renowned for his large-format colour photographs charting themes of globalised society at work and play, Andreas Gursky’s production employs the latest digital technology to capture and refine an astounding compilation of detail on an epic scale.

Lala Rukh’s art practice is intertwined with her lifelong commitments to teaching, activism and the classical music of South Asia, which span the past fifty years.

Tarek Al Ghouseein was drawn to the apparent similarities between the Myth of Sisyphus and what he had observed to be a growing 'myth' generated through the Western media.