Ibrahim Mahama's large-scale installations surface narratives of capitalism, global trade, crisis and injustice in materials reclaimed from the built environment of his native Ghana.

Gabriela Golder examines the intersection between labour and memory from a wide variety of sources— political, mythical and medical—to highlight the aftereffect of violent state actions.

An Indigenous artist and member of the Lac Seul First Nation, Rebecca Belmore’s art focuses on land use, resource allocation, climate change and displacement.

Collecting and repurposing found objects, Nari Ward grapples with social and political issues surrounding race, poverty and consumer culture via metaphor and juxtaposition.

Heri Dono’s paintings and installations merge imagination and Indonesian folk traditions with politics and modern art.

Kahurangiariki Smith’s art addresses the history of colonisation, the reclamation of Indigenous knowledge and the present-day, lived consequences of historical events in New Zealand.

Philippe Parreno creates singular, multisensory viewer experiences characterised by their unique spatiotemporal dynamics, allowing for open-ended, highly participatory explorations.

Flavia Gandolfo’s work investigates how the visual conventions and material cultures of nationalism institutionalise state identities.

Combining autoethnographic methodologies with archival portraits, Inuuteq Storch’s photographic practice bridges personal and universal visions of Greenland.

Pak Khawateen Painting Club is a collective whose provocateurs investigate colossal hydrological engineering structures on the Indus River with transnational implications, including Indigenous displacement, land salinisation and ecological decline.

Emphasising Arab heritage and identity, Abdulrahim Salem’s practice grapples with elements of magic, mysticism and folk traditions.

Hangama Amiri combines sewn textile work with hand-painted elements to create images that reflect on conceptions of contemporary Afghan life.

Known for her sociopolitical sculptural work, Doris Salcedo’s multidisciplinary practice centres around themes of memory, loss and violence as experienced by the exiled and traumatised.

Erkan Özgen explores the impact of war and terror on the collective and personal lives of those directly affected.