Working primarily in film, video and performance, Ho Tzu Nyen has developed recent works into environmental multimedia installations.

Sociopolitical themes such as identity politics, the abuse of power and historical amnesia have long been key concerns in the conceptual works of Ahmad Fuad Osman.

Bruno Pacheco’s painting investigates form, colour and space, inviting viewers to engage in dialogue with particular moments or objects.

Through his exploration of history and current affairs, Michael Rakowitz creates public projects, installations and events.

Lisa Reihana (Ngā Puhi, Ngāti Hine, Ngāi Tu) is known for a practice that interrogates gender, power and representation.

Using a wide range of mediums, including performance and moving image, Tracey Rose investigates post-colonial, racial and feminist issues.

Ampannee Satoh’s work examines cultural identity, nation state, faith and individuality by bringing focus to traditional subjects in the Pattani region of Thailand, her homeland.

Visual artist T. Shanaathanan’s work explores the meaning of home in the context of displacement and migration.

In photographs, installations, videos and performances, Wael Shawky mines traditions of entertainment and performance through multilayered historical reconstructions that force viewers to navigate the territory of truth, myth, stereotype and cliché.

In his paintings, prints and etchings, Anwar Jalal Shemza explored modernism from both Islamic and Western perspectives.

As an obsessive cultural observer and self-taught cineaste, Kidlat Tahimik has been exploring his inner cultural contradictions since 1975 by making non-commercial films.

Caecilia Tripp’s immersive participatory performances, film installations, sound sculptures, photography and large-scale score drawings are deeply rooted in what Edouard Glissant calls the ‘poetics of relation’.

Wu Tsang’s artistic practice explores states of connectedness and in-betweenness; often this fluidity manifests as collaboration or the merging of disciplines such as performance, moving image, sculpture and installation.

In his photography and videos, Munem Wasif investigates conceptions of ‘documents’ and ‘archives’ and their corresponding influence on politically and geographically complex issues.